233 · Comeback Kid

   

Written by:

“Comeback Kid”
: : Sleigh Bells (2012) : Reign of Terror ; Mom + Pop Records : :


[ ] Third flight on deck … in immediate retrospect, this one features numinous undercurrents with a nocturnal twist on the oft-renowned tertiary charm … let’s chalk it up to seasonal vibes of a midsummer night’s scene … this flight actually blends quite well together in context of a set sequence / mini-mix … the full-bodied bass across the board amplifies the one on those drop transitions with a proper gravity bounce … anyhaps, with that, let’s spin this sampler — cheers, enjoi

: Flight Taste Note Referentials :

AspectDescription
ModalityDescribes intensity and energy in music
ValenceDescribes the spectrum of emotions in music (e.g. sad, happy)
DepthDescribes intellect and sophistication in music
TextureDescribes sensory “feel” of music (e.g. organic / natural, processed / engineered)
PhysiqueDescribes build, body, silhouette of music
(e.g. minimal, full ; angular / rigid, contouring / elastic )
EvocationDescribes experiential or conceptual resonance brought forth in music (e.g. any elemental, essential, emblematic associations)

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“Comeback Kid” — Sleigh Bells (2012)

AspectNotes
Modality (intensity / energy)High-intensity ; frenetic elevated
Valence (emotional spectrum)Active catalytic redemption
Depth (sophistication / intellect)Over the shoulder guidance counsel
Texture (sensory “feel”)Analogue synthphonic distortion
Physique (body, build, silhouette)Maximalist
Evocation (experiential / conceptual resonance)Jiminy Cricket’s JROTscene interlude ;
Redemption ricochet
Final Notes / Flight Impression Taste NotesNoise pop base with shoegaze sensibility, nemesis twin vantage echoing jv captain atmosphere … sophomore stompbox

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[ On the Whole ] “Obsidian Drift” (2022) : : Neoteric denizen dirge ; strong bildungsroman montage scene cut interlude underscore cinematic vantages ; post-pompeii pendulum traverse ; visceral verve, bonafide crown in the clutch


[ Source Notation ]

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